![]() Peace protests, that was at least preferable to them being engaged in If disbelievers were going to ridicule his He cared that the message was being heard. He knew that many people were laughing at them. One of Lennon's many gifts was his humor. For several key years in the late '60s and early '70s, Lennon and Yoko Ono turned their lives into a virtual "Truman Show" to promote the issues they believed in. ![]() The appreciation for him deepened because he then instinctively decided to use his celebrity as a bully pulpit for causes greater than his own enrichment or self-aggrandizement. But he earned the love and admiration of his generation by creating a huge body of work that inspired and led. Did we overreact to Lennon's death in 1980? Are we pining for a mythological cipher now? It's certainly true that when Lennon was shot he was immediately mythologized and canonized. It's the burning pain of what might have been. The early and tragic death of a hero, a leader or a cultural icon always produces reactions of greater intensity than the sad passing on of a revered figure at a grand old age. The answer: "Did it ever occur to you that she might be inconsolable?" "Why don't you console her?" asks someone about the suicidal daughter at one point. There's a telling line in Sidney Lumet's 1983 film "Daniel" a fictionalized account of the struggles of the two children of Julius and Ethel Rosenberg. In reality it was the understatement of devastation. Follow McCartney's instantly notorious first public comment on John Lennon's murder in December 1980 "It's a drag" was at the time held up as an example of gross insensitivity by an estranged friend.
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